Selections from the Rare Book, Manuscript, and Special Collections Library
The Holocaust Haggadah
Zygfryd and Helene Wolloch of New York
commissioned a Passover Haggadah in 1981 in memory of their
parents, who died in the Holocaust. What began as a personal
tribute was soon recognized as an unparalleled contribution
to Jewish art and history. The Rare Book, Manuscript, and
Special Collections Library at Duke owns an original portfolio
of the limited published edition of the Wollochs' Pessach
Haggadah in Memory of the Holocaust.
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Pessach Haggadah
in Memory of the Holocaust
Original portfolio, 1981
Illustrated by David Wander Calligraphy by Yonah
Weinreb
Handprinted on Velin CuvÈRives, 250-gram
paper
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The Haggadah (plural, Haggadot) is the Jewish book of ritual
used at Passover Seders in the celebration of the Exodus
from Egypt. Religious scholar Cecil Roth has referred to
the Haggadah, comparing it to other books in the Jewish tradition,
as one of the most amenable to adaptation and artistic expression.
The
"Holocaust Haggadah," as the Wollochs' Haggadah
is commonly called, illustrated by David Wander with calligraphy
by Yonah Weinreb, makes the point beautifully.
Wander and Weinreb juxtapose the themes of the Exodus and
the Holocaust by emphasizing the shared histories of slavery,
destruction, and redemption. Wander's art is powerful in
its simplicity and directness. He depicts crematoria, burning
books, and the Star of David alongside the traditional Hebrew
text of the Haggadah. He also includes brilliant borders,
flowers, and the Israeli flag to symbolize the eventual freedom
of the Jewish people. His drawings are devoid of human figures,
signifying the absence of those who perished during the Holocaust.
Two of Wander's drawings are particularly striking and well-known.
One, a concentration-camp uniform placed within a passage
reading, "In each generation one is obligated to regard
himself as though he personally left Egypt." In the
second image, four books illustrate the portion of the Haggadah
text in which four children question the leader of the Seder.
For the wise child, Judaism is an open book to be studied;
for the wicked child the book is on fire; for the simple
child the book is open but blank; and for the fourth child,
who does not yet know to ask about the Exodus, the book is
closed.
The Wollochs exhibited their Holocaust Haggadah at the Milton
J. Weill Art Gallery at the 92nd Street Y in New York, where
it received such wide public attention that they agreed to
its publication in a limited edition to benefit the International
Society for Yad Vashem. Herbert Goldman's Art Gallery in
Haifa, Israel, was the publisher, and David Wander himself
prepared the plates and oversaw the printing of his artwork
at the Burston Graphic Center in Jerusalem.
Each hand-printed portfolio consists of twelve full-page
prints signed and numbered by the artist, thirty-one illuminated
pages, and thirteen black-and-white pages. A total of 290
Haggadot were produced: 250 were numbered 1 to 250; and 31
were numbered I to XXXI. Duke's copy is number 70 of 250.
Nine artists' proofs were reserved for the publisher, the
artists, and their colleagues.
Duke's Holocaust Haggadah is one of many impressive Haggadot
within the Special Collections Library's extensive Abram
and Frances Pascher Kanof Collection of Jewish Art, Archeology,
and Symbolism. According to Eric Meyers, Bernice and Morton
Lerner Professor of religion, Duke's Haggadah Collection,
containing originals and facsimiles representing more than
1,000 years of Jewish experience, is a rich resources for
students and scholars of Jewish history. Meyers says that
the Duke Center for Judaic Studies intends to publish an
online catalog of the collection, as well as a booklet highlighting
selected holdings.
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