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Einstein may be considered, along with Isaac
Newton, as the greatest discoverer of universal principles of Nature.
But the twentieth-century view of Einstein always has been more
complex than the eighteenth-century image of Newton, says Seymour
Mauskopf, a Duke historian of science.
The culture of Newton's time celebrated rational science--in particular
its power "to enlighten us about the laws and harmony of Nature,
and thereby to enable us to improve ourselves and to reform the
societies in which we live," says Mauskopf. Newton had been
deeply interested in alchemy and consumed by biblical exegesis.
For many years he lived as a recluse. But it was Newton's accomplishments
and not his eccentricities that were accented in the eighteenth
century.
"Newton was revered almost as a deity, but a secular one whose
domain was material and rational, rather than spiritual and supernatural," Mauskopf
says. Indeed, eighteenth-century rhetoric often seemed to highlight
the parallel between the fulfilling role of the Christian God and
of the new secular god of science, as in Alexander Pope's famous
couplet: "Nature, and Nature's laws lay hid in night./God
said: 'Let Newton be!' and all was light." Newton was celebrated
in Voltaire's Philosophical Letters as being even greater than
Alexander the Great--as having the sort of "superior genius" that
made him "able to penetrate into the hidden secrets of nature."
Although Newton's concept of gravity as a force acting at a distance
over the void of space was difficult for many of his contemporaries
to comprehend, the action of gravity itself was unproblematic: "We
all drop things, and we fall down," Mauskopf says. "Demonstrating
that the law that governs these actions is the same law that governs
the motions of the planets and stars reinforced the intelligibility
of the world."
In contrast, Einstein's theories resulted in popular perplexity
and mystification. His speculations always seemed difficult, arcane,
bizarre, and--after the dropping of the atomic bomb--very dangerous. "I,
for one, can't picture the equation E=mc2 without a mushroom cloud
behind it," says Mauskopf.
"Einstein's strange science is reflected in his popular image," Mauskopf
says. "No one in modern times is more synonymous with 'genius'
than Einstein. But his 'genius' is very different from the rational
'superior genius' of Voltaire's Newton. It is more hyperbolic super-genius--part
wizard, part visionary, eccentric, and oddball, all with a touch,
perhaps of the mad scientist. Just as the Newtonian intelligible
universe gave way to a mysterious, incomprehensible one (to nonphysicists),
so the image of Newton's immense but still understandable genius
yielded to the much more incredible one of Einstein."
The contrasting images of Einstein and Newton may reflect more
than those particular scientists and their particular scientific
contributions. According to Mauskopf, eighteenth-century optimism
about the role of science in perfecting humanity--materially and
morally--has largely dissipated.
"The traumas of the wars of the twentieth century put an end,
for all practical purposes, to such optimism," Mauskopf says. "And
the last third of the century witnessed almost an inversion of
Enlightenment optimism about science and human improvement. The
scientific enterprise itself suffered fundamental criticism. The
special claim to objectivity of scientific knowledge has been de-privileged,
the utility of scientific knowledge for material improvement through
science-based technology has been critically challenged, the moral
superiority of science has been debunked as yet just another ideological
ploy to maintain power."
Einstein, then, is viewed with ambivalence: Einstein's revolution
inspired awe of his genius and dread of its consequences.
--Robert J. Bliwise
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