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A
pulmonary intensive care unit might be the last place you would
expect to find poetry. But it is here, every day.
"This is a place where 25 percent of patients die. Most are
strangers to us when they arrive. Most suffer greatly," says
physician Peter Kussin. "Medical students here see the whole
range of human suffering. They immerse themselves in the details
of patient care to ward off thoughts about the misery around them.
When the suffering does become apparent, they are frequently overwhelmed.
The poems help."
Kussin, who is an associate clinical professor of pulmonary medicine
at Duke Medical Center, uses daily doses of poetry as part of students'
training during their rotation in the ICU. "It's remedial
poetry for doctors," he says. Despite their lack of formal
instruction in literature, he adds, medical students and nurses
are able to use poetry to explore their often-suppressed feelings
of grief, sadness, and even guilt about the patients they serve.
Ninety-nine percent of doctors were science majors, Kussin says. "Physicians
live in a world of PDAs, pagers, and cell phones. Along with that
comes a risk of the loss of a part of the human machinery. I can't
turn off my pager. But there is a way out--and it all begins with
William Carlos Williams."
Kussin sees the noted physician-poet, who often scribbled lines
of poetry on prescription pads as he made his rounds, as the exemplar
of the way in which poetry can encourage empathy, bringing a sick
patient's individuality and feelings vividly to life. Williams
showed that "poetry can counter the pull of professional gravity
and help create more soulful physicians," says Kussin. "Why
do I read poetry with my students? Because when you get to the
core, it's the deepest part of what we do."
Williams himself saw his two arts as inseparable. "As a writer,
I have never felt that medicine interfered with me, but rather
that it was my very food and drink, the very thing that made it
possible for me to write. Was I not interested in man? There the
thing was right in front of me. I could touch it, smell it. It
was myself naked, just as it was, without a lie telling itself
to me in its own terms."
Physicians and literary scholars alike are finding that the intersection
of medicine and the humanities enriches both disciplines. The field
of medical humanities--the interdisciplinary study of medicine,
psychology, literature, and history--is a burgeoning area in medical
education around the country. Johns Hopkins University publishes
the scholarly journal Literature and Medicine. Columbia University
College of Physicians and Surgeons publishes Reflexions, a journal
of writing by medical students. And physicians' and medical students'
poems and stories are making their way into anthologies, chapbooks,
e-zines, small literary magazines, and even venerable journals
such as The Lancet, the Journal of the American Medical Association,
and Annals of Internal Medicine.
Duke has been linking poetry and medicine for decades. The Health
Arts Network began offering poetry workshops for Duke patients
and their families as part of a pilot project in 1986. Today, volunteers
read poetry to patients, patients keep journals, and hospital employees,
medical students, and others gather in the medical library for
literary discussions twice a month. On display on the walls of
the medical center are fifty poems by poets, classic and contemporary.
Among them is one of Kussin's favorites, Langston Hughes' "Mother
to Son," with its lines:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor--
Bare.
But all the time
I'se been a-climbin' on....
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